Profile

 

 
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Profile

Prior to 1998 I did a little drawing and playing with things like Fimo and Sculpey but nothing really intense.

 

In 1998 I decided to move from my home in Cannington Ontario to Quakertown Pennsylvannia for a job as  in a mid size U.S. corporation.  While there I decided to take advantage of the available talented people in the U.S.A.  and the ease to fly around and go to classes.

 

In 2000 - I Took my first fusing classes with Jayne Persico - basic fusing and bracelet fusing at Warne-Crivellaro Glass in Allentown - only 20 minutes from my condo - and they gave classes in fusing and stained glass. (never got around to the stained glass till I returned to Canada.

 

I also purchased all the basic equipment and kilns for fusing and working with PMC (precious metal clay) and took a couple of classes with Celie Fago at the PA Beadfest that  year. I proceeded to play with PMC and fusing .

 

In 2001 - I started to look for lampworking and ended up with enamel beadmaking and purchased all the equpment for that from Pam East.  Enjoyed playing with the small torch as the condo I rented was small and I could not really do any lampworkiing.

 

I then moved in 2002 so that I could set up a lampworking area in my new townhouse.  I took my first lampwork classes at GlassCraftExpo in Las Vegas - the greatest place to take classes and have fun after class.  My first teachers were Pam Dugger and Leah Fairbanks - of course I had never been on a torch and they were doing intermediate classes - but I kept up and  enjoyed working on a Nortel Minor for the first time. I went home and retired the mapp gass and hot head and went out and purchased (from ebay) tow oxygen concentrators. I purchased a  minor and bead kilns - my favorite kiln is the mailbox kiln I got from Mike Crowley at Glasshive.com.  Well there was no stopping me now . I was lampworking  every day for over a year before I started cutting back on time on the torch.

 

Evenutally I pined to go home and set up my own studio where I would be able to set all me equipment up in an area that I didnt have to move or work around.  So in 2005 I packed up and moved home to Cannington, Ontario. 

 

Prior to leaving the U.S.A. I prepared for my arraival having a 25 x 30 shed built with the intent that all move goods from the states would reside there until I could get electrical and my shop up and running. 

 

To date it still sits with a good majority of my goods from the U.S. ( mostly craft goods with a few funiture items) waiting to be cleaned out and revamped.

 

Plans are in the works in the spring to clean out the shed - run electrical - insulate and build a storage floor (second floor for storage) for all the boxes that need storing - leaving the bottom open for building my studio.

 

 

I have had classes with:

Lampwork          PMC-Rio Certified      Fusing               Painted Glass      Sliverwork

Pam Dugger               Celie Fago                 Jayne Persico           J. Kenneth Leap        Cynthia Archer

Leah Fairbanks           Chris Darway                                            Peter McGrain           Amy Johnson

Doug Remschneider                                                                 Tony Glander

Patti Walton

Kristen Frantzen Orr

Stevi Belle

 

 

Enamelling         Beadwork           Wirework          Woodturning
                                Linda Gettings           Connie Fox                Lee Valley Tools

                         Dottie Hoeschen                                      

                            Jerri Bellini-Smith